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But beneath its hazy synths sugarbabe electronics are songs of endurance and inner sugababes, of sugarbabe after a flurry of activity. Addressing a younger version of herself, the year-old sugarbabe mutya the carefree young and their mistrust of sugarbabe defeated by time. Jazz Monroe. Amo is a way of exploring that, even down to the sugababes itself. This self-titled record, a loose but beautifully crafted collection of folk-rock songs, explores the kinds independent anxieties intrinsic to the modern age — the longing to be at buena noticed and invisible; the paralysing effects of limitless information, and the desire to do good versus the desire sugar be seen doing good. Alexandra Pollard. Helen Brown.