Amarionette deftly balance pop hooks and emotional depth on career-best “Sunset On This Generation”

“Artistic growth” and “progression” can at times be nebulous terms. What does it truly mean to progress and grow as an artist, or as a collective? The answer can often vary wildly depending on the specific artist — yet what is clear is that true progression can be thrilling to witness. A band pushing themselves to new heights, and reaching their full artistic potential, can open new doors in their career that may never before have seemed possible.

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PREMIERE: Out of Service debut cathartic new single “Sleep”

New Fury Media is excited to bring you the exclusive premiere of the new single from Out of Service. Titled “Sleep”, the song is off of the New Jersey emo/alternative rock quartet’s upcoming album Burden. The album is produced by Nathan Hussey of All Get Out, and the single tackles harrowing subject matter with a slow build reminiscent of bands like Manchester Orchestra and Citizen.

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Album Review: Cane Hill change up sound for new EP “Kill the Sun”

Cane Hill – ‘Kill the Sun’ [EP] (8.5/10)

When CANE HILL made themselves known towards the end of 2014 they were foreshadowed as one of the main bands to bring back nu-metal. Not that the genre had ever really left, of course. Their debut single ‘Sunday School’ was a great blast of nu-metal nostalgia with some nice modern metalcore touches. Sadly, their debut album ‘Smile’ never quite lived up to the potential the band seemed to have. There was a huge amount of buzz and the reception was positive, but it just felt like they were capable of so much more. While there didn’t seem to be as much anticipation surrounding the follow up album, ‘Too Far Gone’, I feel they went all out and are really finding their identity. Back with their new EP ‘Kill the Sun’ to be released via Rise Records on January 18th 2019, this may make or break CANE HILL. Continue reading

Hands Like Houses pull off engaging and sometimes thrilling reinvention on “-Anon.”

When Hands Like Houses made their debut in 2012 with Ground Dweller on Rise Records, they immediately stood out. At the time, Rise’s roster of new signings was filled to the brim with dime-a-dozen metalcore bands that did little to distinguish their stereotypically angsty and melodramatic music from the then-dominant groups of the Warped Tour scene… or from each other. With their label dominated by so much sonic homogeny, it was downright refreshing to see Rise take a chance on an Australian sextet who flipped the script, crafting a progressive sound where sonic intricacy meshed with nuanced lyrical storytelling, a combination that could reach genuinely riveting heights.

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