When CANE HILL made themselves known towards the end of 2014 they were foreshadowed as one of the main bands to bring back nu-metal. Not that the genre had ever really left, of course. Their debut single ‘Sunday School’ was a great blast of nu-metal nostalgia with some nice modern metalcore touches. Sadly, their debut album ‘Smile’ never quite lived up to the potential the band seemed to have. There was a huge amount of buzz and the reception was positive, but it just felt like they were capable of so much more. While there didn’t seem to be as much anticipation surrounding the follow up album, ‘Too Far Gone’, I feel they went all out and are really finding their identity. Back with their new EP ‘Kill the Sun’ to be released via Rise Records on January 18th 2019, this may make or break CANE HILL.Continue reading →
When Hands Like Houses made their debut in 2012 with Ground Dweller on Rise Records, they immediately stood out. At the time, Rise’s roster of new signings was filled to the brim with dime-a-dozen metalcore bands that did little to distinguish their stereotypically angsty and melodramatic music from the then-dominant groups of the Warped Tour scene… or from each other. With their label dominated by so much sonic homogeny, it was downright refreshing to see Rise take a chance on an Australian sextet who flipped the script, crafting a progressive sound where sonic intricacy meshed with nuanced lyrical storytelling, a combination that could reach genuinely riveting heights.
British alternative rock band Deaf Havana have made a name for themselves with the combination of stadium-sized hard rock riffs, and frontman James Veck-Gilodi’s confessionally emotional songwriting and vocals. Now, they’ve released a new single that pushes that winning formula outward in a totally unexpected way. “Sinner” is the lead single off of the band’s new album RITUALS, out August 10th, and shows the band moving into a bouncy pop rock soundscape, while still staying rooted in Veck-Gilodi’s fantastic voice and lyricism. The results are truly exceptional, and fans of The 1975 and Walk the Moon will find much to love. RITUALS seems poised to catapult Deaf Havana to a new level of popularity, while still retaining the core of what made them stand out as musicians. Stay tuned.
Reunion albums can typically go down one of two distinct paths. After years away from releasing music, many bands pick up right where they left off before their breakups, making up for lost time by either returning to their roots, or by continuing to progress the sounds of their most recent material. This is a respectable path, and gives successful bands who may have been gone for several years or more the ability to reconnect with their old fanbase while still pushing themselves artistically. However, once in a while a major band will reunite and go down a very different path. Channeling the members’ changed musical visions and life experiences in their years apart, these bands attempt to redraw the core boundaries of what they stand for artistically and sonically. The resulting works are less reunion albums than they are “reinvention albums”.