LA Radical Punks The Damed Drop New Self-Titled Album

California’s socially and politically charged all female punk three piece, The Damed, have dropped their debut self-titled album to universal praise from fans and absolute shock from their adversaries. Fronted by guitarist-vocalist Heather Hellskiss, bassist Suzanne Slade and drummer Watts Yoshizawa, the angular stricken guitar riffs soaked in chorus and fuzz feed the brooding driving bass lines that weave between the tom-ridden disco punk surf beats. The sarcastic, aggressive lyrics are thrusted at you like knives while still maintaining a comforting catchy melody.
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Death Metal: Violent Sexism and Why Race Matters


(TW: Sexual Assault, Rape)

By now, everyone’s heard about the release of Kanye West’s most recent output, The Life of Pablo, and while many are divided on the quality of its musical content, there are also plenty of people who are, in a world that is increasingly aware, pointing out some of the blatant sexism that is, and has been, evident in Kanye West’s lyrical work.

In itself, this is not an issue. It says a lot that more and more people are getting fed up with the way women are portrayed and defamed in these songs. It’s a good thing. However, the issue arises when people continue to criticize black artists, mostly in Hip-Hop, about the sexism in their lyrics, while failing to criticize or even acknowledge the even more rampant and dangerous misogyny in other genres which, as a matter of fact, are primarily white. I’m referring, in particular, to varieties of Death Metal music, namely Grindcore and Brutal Death Metal, as well as related genres.
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